by Tanya Ward Goodman
Though they couldn’t be less alike, I am lucky to have two moms: the one who spent 36 hours in labor before I was cut from her belly and handed over to the nuns in the small brick hospital where I was born and the one who wore a dress the color of jacaranda blossoms when she married Dad just before my twelfth birthday. They have both been such strong influences in my life that somehow even my body reflects equal parts of these women. I have the height and lean arms of my stepmother, the woman I call “La,” and the sturdy legs and curving hips of my mother. My hands are square and rough at the knuckles like my mother’s hands, punished by years of gardening without gloves, and like La’s, whose hands ache at the joints from the effort of turning cold clay into coffee cups and cereal bowls on a wheel.
It is not just my body that bears the imprint of these women. Thanks to my mother, I have the ability to identify plants and discern a raven from a crow (the raven is bigger and looks blue in the sun). From La, I get my drive to action, my need to fix things. These forces brought me to New Mexico to care for my father when he was diagnosed with early onset Alzheimer’s.
Sometimes these two influences are at war. The shyness and insecurity I inherited from my mother battle it out daily with La’s brave and often blind self-confidence. Guided by the force of her will she is often able to muscle through situations that would terrify my mother. She is, for example, navigating the unknown territory of my father’s illness while Mom stands at the edge of the forest and waits for someone to bring a map.
The strengths and shortcomings of my two mothers are tangled up with all that I have been given by Dad. Dad shares Mom’s reverence for the beauty and uniqueness of the world, but his intense drive to create quickened his pace, kept his hand moving over canvases and sketchpads late into the night. That pace is slowing now, which trips up La and me. I have come home to be with him and share this time, and I want to follow Dad’s meandering, but my responsibilities often lengthen my stride.
When I look in the mirror, I see Dad’s green eyes staring back through mine. I see his long torso reflected in my own. If I cut my head open right now, would I also see a faint shadow of forgetting?
Adapted from my memoir, “Leaving Tinkertown” which will be published in August of 2013
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Originally published on The Seattle Lesbian
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